DAMIAN JONES is one of Britain’s most prolific independent film producers. A career that spans over fifty feature films, he has collaborated with prestige directing talent and cast to create critical and commercial films including the Oscar winning The Iron Lady (Phyllida Lloyd), Lady In The Van (Nick Hytner), Belle (Amma Asante), Welcome to Sarajevo (Michael Winterbottom), Millions (Danny Boyle), Goodbye Christopher Robin (Simon Curtis), Sex, Drugs&Rock&Roll (Matt Whitecross), The History Boys (Nick Hytner), Dad’s Army (Oliver Parker), Kidulthood & Adulthood and Absolutely Fabulous The Movie (Mandie Fletcher). Other film credits include M.J.Delaney’s Powder Room, Gregg Araki’s Splendor, Regan Hall’s Fast Girls, and Vondie Curtis-Hall’s Gridlock’d. Most recent productions and releases include Michael Winterbottom’s Greed, Argyris Papadimitropoulos’s Monday, Romola Garai’s Amulet, Rapman’s Blue Story, and Catherine Tate’s This Nan’s Life. He is currently in post on Rupert Majendie’s Brian & Charles with Focus Features and Raine Ann Miller’s Rye Lane with Searchlight. Others films also include Richard Eyre’s Allejulah, Curtis Vowell’s Seize Them and Executive Producer on I Used To Be Famous and Greatest Days. He has just wrapped Nick Hytner and Alan Bennett’s The Choral which he produces with Kevin Loader for Sony Classics and BBC Film. He is in post production on Raine Allen Miller’s sophomore film Roots Manoeuvre with Plan B for Orion Pictures as well as in post on Merry Christmas Aubrey Flint as an Executive Producer.

